February 2012
92 posts
Feb 27th
12 notes
Feb 27th
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Feb 26th
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Feb 26th
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Feb 26th
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Feb 25th
36 notes
PRESERVATION INSANITY: Stan Brakhage's Two... →
Here’s a picture of the can that contained the original negative for Stan Brakhage’s late film Max (2002), a loving portrait of the family cat. It’s a lovely film, but it’s fair to say that it’s not necessarily a particularly well-known or widely acclaimed work from Stan. But what does make it particularly significant is that it is one of only two films that Stan...
Feb 25th
8 notes
Feb 25th
46 notes
Feb 25th
30 notes
Feb 24th
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Feb 24th
6 notes
Feb 24th
11 notes
Feb 23rd
111 notes
Feb 23rd
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Feb 23rd
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Feb 22nd
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Feb 22nd
19 notes
Feb 22nd
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Feb 21st
12 notes
1 tag
Feb 21st
28 notes
Feb 21st
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Feb 20th
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Feb 20th
49 notes
Feb 20th
30 notes
Feb 19th
9 notes
Feb 19th
18 notes
Feb 19th
67 notes
Feb 18th
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Feb 18th
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Feb 18th
7 notes
Feb 17th
26 notes
Feb 17th
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Feb 17th
37 notes
Feb 16th
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Feb 16th
21 notes
Feb 16th
76 notes
Feb 15th
17 notes
Feb 15th
4 notes
Feb 15th
31 notes
Feb 15th
7 notes
Feb 14th
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Feb 14th
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Feb 14th
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Feb 14th
327 notes
“The Old Testament of the “American Cinematographer’s Manual” told you that, “To...”
–  St. Tula, the Patron Saint of Cinema (as told to Adolfas Mekas) “The Sayings of St. Tula”, Proverbs and Parables — Chapter I (via thescreenwritersblues)
Feb 13th
10 notes
Feb 13th
680 notes
Feb 13th
14 notes
Feb 12th
9 notes
Feb 12th
27 notes
“Love the Scratch. Love the Grain. Love the Lightleak, too. They are the lines,...”
– St. Tula, the Patron Saint of Cinema (as told to Adolfas Mekas) “The Sayings of St. Tula”, Proverbs and Parables — Chapter I (via thescreenwritersblues)
Feb 12th
13 notes